It’s graded one of the sharpest lenses for Sony cameras (tied with the Sony Sonnar T* FE 55mm f/1.8 ZA lens). There’s certainly no shortage of options to choose from. Wide aperture, fixed focal length, telephoto lenses are pivotal components for many photographer’s lens kits. Focal length: 35mm (53mm equivalent for crop sensors).The f/1.2 aperture is incredibly wide, offering fantastic opportunities. The 35mm focal length is on the border between normal and wide angle, making it a great focal length for street photography and certain styles of portraiture (such as environmental portraits).
Sigma’s 35mm f/1.2 DG DN Art is the first lens this wide with an f/1.2 aperture designed specifically for Sony’s high megapixel, full frame cameras. Occasionally, Sigma even puts out something that Sony doesn’t offer. In fact, for most of the lenses on this list there’s probably an Art version that can stand head-to-head with it.
Sigma’s Art series is perhaps the most successful third-party lens designed to rival Sony’s flagship line. Focal length: 24-105mm (36-157.5mm equivalent for crop sensors.Unless you absolutely need the f/2.8 aperture, this is probably a better choice. It’s a top notch lens at an attractive price. The most important consideration for most people, though, is that the 24-105mm f/4 G doesn’t sacrifice image quality or autofocus performance. In addition, the 24-105mm has more zoom reach, is lighter and is far more affordable. This gives a tradeoff of arguably better low light performance, letting you slow the shutter speed down (as long as the subject isn’t moving), at the expense of a thinner depth of field that f/2.8 offers. They have one less stop of aperture, but in exchange add image stabilization. While 24-70mm f/2.8 lenses are the go-to for all around zoom lenses, 24-105mm 2/4 lenses have grown in popularity over recent years. Focal Length: 16-35mm (24-52.5mm equivalent for crop sensors).Or, if budget isn’t a concern and you want ultrawide with no compromises, Sony just released their FE 12-24mm f/2.8 GM. But if you need to add wider angles into your arsenal, this is the lens to go for.Īlternatively, if you want to go a little bit wider and save money (and don’t mind losing a stop of aperture), you can go for the Sony FE 12-24mm f/4 G. Wide angle lenses can introduce certain challenges and they don’t cater to every photographer’s style. With the 16-35mm f/2.8 we round out the trinity of zoom lenses. Focal length: 70-200mm (105-300mm equivalent for crop sensors).If you need the f/2.8, by all means go for that lens, but the f/4 is also a fantastic choice. The tradeoff, though, is that it’s almost a pound and a half (or 76%) heavier than the f/4 version and is more than $1,000 more expensive. The 2.8 will give you the extra stop of light, thinner depth of field and closer minimum focusing distance. The reality is that it’s hard to go wrong with either lens. You may question choosing the f/4 version over the more premium Sony FE 70-200mm f/2.8 GM OSS. It’s not surprising that a 70-200mm comes next on our list as it provides extra telephoto reach. Focal length: 24-70mm (36-105mm equivalent for crop sensors).If you want to save money, but get very similar capabilities Sigma and Tamron make fantastic 24-70mm f/2.8 lenses as well. Unless you’re looking for something extreme (f/1.x aperture, very wide or very telephoto), this lens won’t let you down. Overall image quality standpoint is very sharp. The f/2.8 aperture is fast enough for many situations and offers a relatively thin depth of field, making it a great choice for many portraiture approaches. The focal range gives you enormous flexibility from moderately wide to moderately telephoto. If you had to get by with only one lens, it would be hard not to choose a top tier 24-70. If you’re looking for the best lenses for your Sony a7 III, read on to get started finding your perfect lens. Fortunately, Sony’s FE mount has a wide range of fantastic lenses from both Sony and third party manufacturers. Even the best camera is going to produce disappointing images if it doesn’t have a great lens attached to it. Of course, the camera body is only one part of the equation. For many, the Sony a7 III is ideal because of its versatile range of features and attractive price point. With a wide range of models, there’s a Sony camera for everyone. It is undeniable that Sony’s mirrorless cameras have revolutionized the industry.